BEST OPERA (NEW PRODUCTION)
Lucia di Lammermoor (ENO)
BEST OPERA (REVIVAL)
Peter Grimes (Opera North)
BEST CONDUCTOR
Edward Gardner La Clemenza di Tito (Orchestra of the Age of Enlightenment)
BEST DIRECTOR
Stephen Langridge - The Minotaur (ROH)
BEST SET DESIGN
Jo Davies – Aida (ENO)
BEST PRODUCTION OF DIE ZAUBERFLOTE
Isango/Portobello
BEST MALE PERFORMER IN A LEADING ROLE
Gerald Finley – Onegin Eugene Onegin (ROH)
BEST FEMALE PERFORMER IN A LEADING ROLE
Anna Christy – Lucia Lucia di Lammermoor (ENO)
BEST MALE PERFORMER IN A SUPPORTING ROLE
Robert Lloyd – Seneca The Coronation of Poppea (ENO)
BEST FEMALE PERFORMER IN A SUPPORTING ROLE
Sarah Tynan – Megan The Sacrifice (WNO)
BEST YOUNG MALE SINGER
Benedict Nelson – Sid Albert Herring (BYO)
BEST YOUNG FEMALE SINGER
Julia Riley – Nancy Albert Herring (Glyndebourne on Tour)
BEST COMIC MALE
John Tomlinson – Baron Ochs Der Rosenkavalier (ENO)
BEST COMIC FEMALE
Jo Brand – Policeman The Pirates of Penzance (Carl Rosa Company)
BEST MALE UNDERSTUDY
Dimitris Tiliakos – Rodrigo Don Carlo (ROH)
BEST FEMALE UNDERSTUDY
Paula Murrihy – Tebaldo Don Carlo (ROH)
BEST MALE CHORUS MEMBER IN A SOLO ROLE
Christopher Ross – Priest The Magic Flute (ENO)
BEST FEMALE CHORUS MEMBER IN A SOLO ROLE
Penelope Beavan Olga – The Merry Widow (ENO)
BEST CONCERT
Orlando (Extracts) – Independent Opera at Wigmore Hall
BEST MALE SINGER IN RECITAL/CONCERT
Gerald Finley (Wigmore Hall)
BEST FEMALE SINGER IN RECITAL/CONCERT
Ailish Tynan (St John’s Smith Square)
BEST PROM
Prom 15: Macbeth (Glyndebourne Festival Opera)
BEST RADIO BROADCAST
Romeo et Juliette (Opera North)
MOST MEMORABLE COSTUME
Iain Paterson – Amonasro Aida - http://www.musicalcriticism.com/opera/eno-aida-3.jpg (left)
BEST DEATH SCENE
Rebecca Bottone, Pumeza Matshikiza, Wendy Dawn Thompson, Christopher Ainslie, Tim Mead – The Innocents The Minotaur (ROH)
MOST FRIGHTENING PERFORMANCE
Amanda Echalaz – Ker The Minotaur (ROH)
BEST MALE BOTTOM
Jonathan Gunthorpe
BEST FEMALE BOTTOM
Anna Christy
BEST STAFF
Gielgud Theatre
Cunning Little Vixen
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