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Review: ALBERT HERRING*****

by MadamCaterpillar @ Sunday, Dec. 30, 2007 - 23:43:29

Glyndebourne on Tour at Sadler’s Wells

7th December 2007

This isn’t the easiest opera in the world to get into, but it’s worth a little bit of an effort. It’s one of the funniest operas around, and I’d recommend it to anyone. Not sure if Glyndebourne are still touring or not, but go if you get the chance. It’s got a very funny libretto by Eric Crozier. CLV says it was her first opera ever, but the libretto still surprises her every time.

One thing this production did is it proved that singing posh isn’t actually necessary to help you get the words across, but anyone who has heard Lily Allen knows that. Same with Albert Herring, where the singers probably weren’t even singing in their own accents. It was actually the posh lady, Lady Billows, who I struggled to understand.

Lady Billows was sung by Miranda Keys and her voice was very loud and very wobbly. Can see why people are frightened of her, but I don’t really think that’s enough somehow. I don’t know, it just sounded less like music and more like noise. But that could have been the character. Not sure though, the other characters were all real enough. Lady Billows’ housekeeper Florence Pike was sung by Susan Gorton, not exactly a beautiful voice but lots of character and very funny. Kathleen Wilkinson did go over the top at times as Mrs Herring, but it wasn’t embarrassingly over the top, except for poor Albert, I suppose.

Amy Freston was great as Miss Wordsworth – really lovely voice and a proper comedienne. Robert Davies, Lynton Black and especially Adrian Thompson all had funny moments as Mr Gedge, Superintendent Budd and Mr Upfold. Another group who worked well together were the 3 kids, Emmie (sung by Elodie Kimmel, an adult and member of GoT Chorus), Cis (sung by Jennifer Sidebottom who’s a student) and Harry (sung by Jack Morlen who’s a real boy, he’s 12). They all did really well, I wonder why boys are usually sung by actual boys and girls by adults but they all did well as children.

But the stars had to be Albert and his friends Sid and Nancy. They were all funny too, especially Albert, but they were the people you’re probably meant to identify with. Mrs Herring meant well, and Albert could have got himself into all kinds of trouble (and quite possibly did) but there’s no doubt that his adventures turned out to be the best thing for him (not that I’d recommend it to anyone else).

Robert Murray was a very sweet Albert, and he didn’t lose any of that as he gained in confidence. He’s very handsome in a boyish way, and very good at appearing awkward, but he never gave the impression that he didn’t want to be more confident, or that Sid and Nancy were manipulating him. Even Sid only seemed to want to help him, in as manly a way as possible.

Jared Holt was a lot of fun as Sid, and his laddishness made a great contrast with Albert, even at the end. The others say he and Robert Murray appeared in Albert Herring in these roles at the Royal College of Music, and were later on the ROH Young Artists’ Programme together for a while. Sid seems like a typical lad – not as tough as he likes to pretend he is, but fairly convincing on the outside.

Julia Riley was a really lovely Nancy. Really liked her right from the start and she’s got a really beautiful voice. Would really like to see more of her. When I saw this opera before, Nancy seemed a bit of a tart who had a character change later on. It worked, but it adds to the opera to have someone so obviously nice.

Great production.

Madam Caterpillar

primi-divi at hotmail.co.uk



 
 

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Herb MacMince [Visitor]

04/01/08 @ 01:09

Do the conductor and orchestra not rate a mention? I'm getting a bit hacked off with crits that are only about the singers or production. Please remember - it's about music, not just warbling.

FitCritFitCrit [Member]
08/01/08 @ 23:20

Hi Herb

Don’t get me wrong mate but I really think it’s up to Madam Caterpillar what she writes. She doesn’t know about all that stuff anyway, you really have to know a piece well before you start commenting on what the conductor and the orchestra were doing. She probably doesn’t know that different conductors can make music sound different, I’d been playing in orchestras for like years before I found out. Madam Caterpillar wants to learn about stuff herself not have us telling her everything all the time and I reckon it’s good she’s doing that, it shows you don’t need to know loads about music to enjoy opera and that it’s not something really difficult you need help to appreciate. I think she might need help with the whole trouser role thing though, she just doesn’t get that.

And I know I say I’m a crit but we’re really just bloggers. We can write what we like how we like, it’s not like we’re a newspaper with guidelines to follow. If you don’t like us read someone else instead, that’s fine. Or at least have a go at someone who knows about that stuff. Not Barry though, that’s just mean and if he did leave it out it’s probably coz he deleted a whole paragraph and didn’t notice.

To be honest it pisses me off when crits go on about the conductor and the orchestra when I’d rather be hearing about the singing and the acting coz I kind of already know I’m going to like the music but the voices and interpretation, that’s something that could go either way.

Herb MacMince [Visitor]

10/01/08 @ 00:58

No worries, FitCrit. I totally understand that this is not like a newspaper, and I do appreciate that not everybody can give an expert appraisal of things like conducting and orchestral playing. I would just like the conductor not to be left out altogether, since they are actually in charge of the whole thing musically. A mention would be something! You often see professional Crits in newspapers spending almost all of their space on the rubbish that some producer has done on stage, and even the singers barely get a mention at the end. That really hacks me off and it's refreshing that it never happens here. Keep up the good work!!

MadamCaterpillarMadamCaterpillar [Member]
12/03/08 @ 22:56

Hi Herb,
Point taken, and I did mention the conductor in my latest reviews – Die Zauberflote A cast at the ROH and Opera North’s Peter Grimes. Completely forgot to mention the set for Die Zauberflote, but I guess you won’t be too disappointed! Hope the reviews are okay and you enjoy them.
MC

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